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Calacatta Marble

Quarried above Carrara, veined in grey and gold. Honed matt, it softens with each year.

Nero Marquina

Black Spanish marble from Markina, cut with white. Polished, it deepens as the years pass.

Roman Travertine

Roman stone, pitted by ancient hot springs. Filled and honed, it warms with use.

Honey Onyx

Translucent amber stone, sourced from Iran. Backlit or polished, it glows and never fades.

Patinated Brass

Solid brass, darkened by hand in our workshop. Left unsealed, it records every touch.

Brushed Brass

Solid brass, brushed to a soft satin. Waxed, it mellows slowly toward gold.

Blackened Steel

Mild steel, blackened by heat and oil. Waxed each year, it holds its depth.

American Walnut

Pennsylvania walnut, chosen for cathedral grain. Oiled, it lightens to a warm honey.

Smoked Oak

European oak, fumed with ammonia for weeks. Oiled, it settles into a quiet grey-brown.

Ebonised Ash

European ash, stained black through the grain. Waxed, the figure surfaces over time.

Pale Oak

Quarter-sawn oak, kept close to its natural colour. Soaped, it stays pale for decades.

Mohair Velvet

Angora mohair, woven in Belgium on old looms. The pile flattens where you sit, then recovers.

Bouclé

Looped wool yarn, woven for depth and warmth. It pills lightly at first, then settles.

Full-grain Leather

Full-grain hide, aniline dyed and never sanded. It scars, darkens and improves every year.

Hand-knotted Wool and Silk

Hand-knotted in Lahore, a wool ground with silk. The silk gains lustre as the wool wears in.

Smoked Glass

Float glass, tinted bronze-grey through the body. Toughened, it stays clear and never yellows.

Piano Lacquer

12 coats of lacquer, hand-rubbed between each. Polished, it holds a mirror for decades.

Ivory Lacquer

Warm white lacquer, sprayed and rubbed to satin. It holds its colour and does not yellow.